Daily Zen: 2019072401
· drawing tile zentangle art club 
This tile was created following the instructions from Eni Oken ’s Art Club ’s latest lesson, Glazed Whitework . It all started with a watercolor tile. It was an interesting challenge to draw the string and all of the tangles using a white colored pencil. Then more color was added creating the depth and shading you see here. One of the most challenging things was to select appropriate tangles. It’s much more difficult to create detail with colored pencils than if you were using an inking pen.
Daily Zen: 2018072601
· drawing tile zentangle 
Waltz. 1.. 2.. 3… 1.. 2.. 3… And a twirl around here and there. When I look at this tile, that ballroom dance, learned so long ago comes to mind. I like the counterpoint of the graceful Mooka dancing around the edges of the triangular, jeweled Tripoli. I loved creating this tile. It’s simple design allowed me to practice precise, balanced line placement. I find that very Zen. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Daily Zen: 2017121902
· drawing tile zentangle project pack 2 12 Days of Zentangle 
This tile is from Project Pack 2, The Twelve Days of Zentangle. On day two, we are using two Zentangle tiles. The first tile, which is black, has a hole cut in the center. Then tangling is done around the empty space. I added red metallic gel pen dots around the center frame and I used a grey metallic gel pen to fill in the spaces in the Flux. Metallic ink just doesn’t show up very well in photographs, unfortunately!
Daily Zen: 2017071601
· drawing fragment reticula tile zentangle 
Reticulum. Recently, Zentangle released a Kitchen Table video that featured using Tripoli as a Reticulum (as the underlying structure) and filling each section with a fragment. I chose Fragment G13 from the Primer. I have never liked Tripoli until now! But I will not discount it in the future. This gave me a really good understanding of Reticula and Fragments. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.