She had traveled down the hall of the long good bye for such a long time. She slept and awoke and walked towards the door in the House of Waiting. The vastness pulled at her spirit and she longed to be free. She would not miss anything here. She had completed her mission. She would leave it all behind. It had been her life. But now, she was free to fly.
For my final Crazy Huggins sampler, I cut a large, apprentice-sized tile from a new paper I got recently. I filled the tile with Crazy Huggins shapes, then filled each element with another tangle. Somewhere along the line, the design developed a mind of its own, and decided not to be symmetrical anymore. But, honestly, I think that just made it “interesting!” This tile took quite a while to complete. I knew it might take a bit longer, but it turned out to be a lot longer! And, when I finished filling in all the shapes, I wasn’t sure I liked it. But, in true, Zentangle fashion, I continued on and shaded the design. However, it wasn’t until I added the highlights that I decided everything was fine.
Hidden. She tried to hide from the outside by pulling the drapes, but the wouldn’t close completely. There were so many dangers she could not hide from around here. From the mystery under the pillow, to the strange marbles on the floor. She didn’t know how to escape the situation because she could not dream. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Dance floor. Dressed up in his tux, with and fancy bow tie, he swept her gracefully across the dance floor as if in a dream. Zentangle drawn on Strathmore Vellum Bristol using a black Micron pen, and warm gray and gray Copic Multiliner. Shading done with graphite pencil. Tangles: Boti Chard Echo Hurry Starmap
Twisted Ropes. This is my first attempt at trying the twisted rope techniques introduced by Eni Oken . I had a small problem with my pink pen… it started puddling and making inconsistent lines shortly after I stared. I decided to carry on with it anyway because I didn‘t want to start my tile over again. It turns out that, IMHO, the blooping pen actually added to the designs. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron and pink, Sanford Uniball pens. Shading done with graphite pencil and Polychromos colored pencil.
Divided. The string used for this tile had multiple spaces that allowed for quite a few tangles. I tried to place the random patterns in an interesting way. But looking at it all these years later, it feels like this one needs some stronger contrasts. It‘s a bit too even. Zentangle drawn on Official Zentangle tile using a black, Micron pen. Tangles: Ammon Cogwheel Dex Flukes Huggins Hurry Ibex Sampson Sedgling Swarm
Many. There are a lot of tangles on this tile. That‘s because I used a string that had many “sections”. But I think it still works because I repeated a couple of the designs and also used a central, bold tangle. Those framed and anchored the whole thing. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Afterglow Coil coral Seeds Floating disks Gingham Hurry Mooka Papyrus Sand Swirl
Quantity. This string had a lot of individual “spaces” in it to fill with tangles. Since I selecting tangle patterns randomly, sometimes a busy tile works, and sometimes it doesn‘t. I think, for the most part, this one works. Zentangle drawing done with Micron pen on Strathmore Vellum Bristol . Tangles: Chicken Wire Chillon Gloven Hurry Knight‘s Cross Narwal Nzeppel Quabog Snail