This is my second tile from Eni's Fragmented Windows lesson . I really wanted to try this in blue because it reminded me so much of floor plans. I also made the grid a bit smaller than the first one. I’m not sure if I like it better, or not. I did have to use a finer tipped pen to draw the fragments because the squares were so tiny! Zentangle drawn on Strathmore Vellum Bristol using blue and dark blue, Pigma Micron pen. Shading done with Copic marker, colored pencil and graphite pencil.
This is my first tile from Eni's Fragmented Windows video lesson ! I’m really excited about this method because it is a very unique way of exploring the various Fragments from the Zentangle Primer . It was a lot of fun to do. Eni refers to the sections with designs in them as “windows”, but to me, they look like rooms in a floor plan. This one follows the lesson rather closely, but I’m looking forward to creating more tiles incorporating my own spin on the concept.
Incubation. She found a group of eggs in various stages of growth in the Royal Nursery. She had no idea this was their method of reproduction until now. She wondered if each egg started with such elaborate patterns or if they were decorated after they were laid. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Caviar Meer Patena Printemps Purk Shattuck
Textiles. She looked at varied shapes and textures hanging all around her in the stall. Of all the places on merchants row, this was the one that brought her the most inspiration. It was a never-ending kaleidoscope of color and patterns that constantly changed with the light. Looking for new inspiration for strings for your tiles? Grab a magazine and open it to a random page. Look at the picture on it. How can it inspire a new string for you? For this tile, it was an architectural image of part of the front of a building showing how the stones were arranged along one side. Try it and see what you discover!
Choice. She looked down at the floor and realized that there were so many choices, all woven together, that could make up the whole. While each one was different they were all part of the fabric of her life. So far this year, I’ve done very few “regular” Zentangles. When I completed this one, and showed it to my daughter, she asked me, " Does it feel weird to do black and white now?" That was an interesting question because it was something that I was actually thinking about when I did it! And, the answer was, “Yes, it is a bit strange because I’ve been moving so far away from it lately.”
Contrasts. This tile has a very simple string. I decided that I would use the simplest, geometric tangle in the upper left area and then mirror two of the other tangles in the lower right. I put the most complex tangle in the middle section. I really like the end result! Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil. Tangles: Ennies Finery Nekton Opus Patena
It‘s complicated. When I‘m stressed, taking time to tangle becomes even more important. It allows me to decompress and step away from the chaos. However, my tile often reflects what‘s going on around me. This tile is a case in point. I‘m not feeling good, and there is a lot of “stuff” going on that has me not following my “normal” routine. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen.
Textiles. This tile makes me feel like I‘m peeking into my sewing room and seeing fabrics and trims ready and waiting on my cutting table. Zentangle drawn on Strathmore Bristol Vellum using a black Micron pen. Tangles: Beeline Courant Flooka Flux Patena Ruflz Sez