Sometimes, I sit down to practice something in my small sketch book, and my pen has different ideas than I do!
Here, I was going to practice various tangles… and a “shapie” family just flowed out! There are still some tangles… can you spot them?
Small sketchbook page, drawing done with Sakura Pigma Micron pen.
Tangles: Bumper Fescu Mooka Printemps Springle
Perhaps those pumpkins are taking on a life of their own; creating a ballet as they rise up. They leave the garden trellises behind as they creep around the Halloween garden!
Another ATC.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with Distress markers and colored pencil. Decorative elements added with various gel pens.
Tangles: Crazy Nzeppel Mooka
The tangle Waybop lends itself well to the the triangular shape of this tile. It can be tucked into the points quite nicely while still maintaining it’s nature.
Here, pink, grey and white are combined in gel pen to accent the main tangle and then in colored pencil and pale grey Stablo fineliner to create the decorative elements.
Even the pencil shading, added inside the circles and inward pointing elements adds yet another shade of grey. Meanwhile, the subtle pink in the center echoes the colors of the pearls.
“In typography, a dingbat is an ornament, character, or spacer used in typesetting, often employed for the creation of box frames.” - Wikipedia
We’ve all seen them decorating title pages, the ends of paragraphs or other areas of printed books.
Zentangle, and CZT Brian Crimmins in particular, has created a tangled version of this classic concept. It is called Dingbatz, in honor of it’s typographical cousin. Here, we use the stylistic shapes and concepts of the original, but employ tangles as graphical elements.
I’ve posted Zentangles with a design similar to this tile before, here and here .
In addition, the other two examples have no shading or highlights. So I needed and example that included these additions.
I’m doing it again because I’m using it on a class project and I wanted it on a 3Z for my students to observe and discuss.
Zentangle drawn on black, Strathmore, Artagain paper using a white, Sakura, gel pen. Shading done with Copic Markers and black colored pencil. Highlighting done with General’s Charcoal White.
This tile was created following the instructions from Eni Oken ’s Art Club ’s latest lesson, Glazed Whitework .
It all started with a watercolor tile. It was an interesting challenge to draw the string and all of the tangles using a white colored pencil. Then more color was added creating the depth and shading you see here.
One of the most challenging things was to select appropriate tangles. It’s much more difficult to create detail with colored pencils than if you were using an inking pen.
This fabulous monotangle of Mooka was created by my Mother-in-Law, Twyla Baker.
As many of you already know, she passed away on June 27th. I am in the process of going through her artwork. I found a small, spiral-bound sketch book which contained many Zentangles.
Towards the end of the book, I found this monotangle of Mooka. It fills the entire 4-inch by 6-inch page! I’ve never seen this before and there is no date on it. Because the dates on other pages jump around and are not in consecutive order, I’m not sure when this was done. It was probably some time around 2013-2015.
This tile is the result of an ongoing challenge (#TangleTagCZT30) on the Zentangle Mosaic app . Each person is to create a tile using all of the tangles that came from previous CZTs in the chain, and add one more of their own choosing.
There were seven people in the chain when I was tagged. I’ve added the eighth tangle, Zailz.
I found this interesting, and very challenging. This was a lot of different tangles to try and fit on a single Zentangle and still have anything that wasn’t total chaos!
For the third set of pages in my teeny, tiny Traveler’s Notebook, I decided to create a two-page spread.
I decided to use Mooka shapes to indicate parts of a plant and create a “family.”
I wanted to illustrate that when you have a good idea for your artwork, you need to nurture it and protect it so it comes to fruition.
Tandika*
#microart #microartjournal #miniatureartjournal #miniartjournal #miniatureart #tinyjournalnation #allthingstiny #allthingsminiature #microartjournaling #tinyartjournal
You’ve seen this tile with Cadent in the center before. It was featured in a post on July 5th . And also in the post about the upcoming classes for August .
But here’s another sneak peak for the Beginner's 2: New Strokes class ! You may have noticed that the description mentioned a 3D project?
We’re going to be making a display stand to show off your favorite tile on your desk at work or home!
How do you Mooka?
I am playing around with the various ways of drawing Mooka.
Here, I’ve drawn half a little bijou-sized tile using a traditional style and then just added some dots to create a bit of texture. I also decided to add some auras in the empty spaces to fill in the design.
On the other half of the tile, I’ve drawn Mooka using a simplified method. Then I filled in the spaces with Tipple.
Folk art.
A few years ago, I was looking at various examples of American Folk Art. One of the things I liked about it was the bright colors and how the simple designs combined to create a more complicated finished product.
Here, I decided to use simple auras, perfs and tangles to create a more folk-art like tile. I like the simplicity of this design. Actually, if you look at the Zentangle Gallery , I’ve used it on another tile, (in a slightly different form,) recently!
Waltz.
1.. 2.. 3… 1.. 2.. 3… And a twirl around here and there. When I look at this tile, that ballroom dance, learned so long ago comes to mind.
I like the counterpoint of the graceful Mooka dancing around the edges of the triangular, jeweled Tripoli. I loved creating this tile. It’s simple design allowed me to practice precise, balanced line placement. I find that very Zen.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
We have learned to appreciate and focus on each thing, one stroke at a time.
I love this frame made from an Apprentice tile. I also really love the bijouism that was added to it by our guides! You can get your own collection of 24 bijouisms by following the link. The little tin actually contains two of each… one for you to keep and one to give away!
Zentangle drawn on a black Original Zentangle Apprentice tile using a white Sakura Gelly Roll.
Remembrance.
As we walk on this path, I am reminded to spend time with others I’m walking here with. The time will go so fast and we will, literally, be scattered to all the corners of the earth. But we will remember each other, and this special time here.
This beautiful, rosemary stem is drawn using the tangle Verdigogh. Rosemary is for rememberance. I wanted to add something to it, but I couldn’t decide what. Then I realized the Renaissance frame would be perfect. So this frame was drawn on July 3, 2018 and I set the tile from the CZT 30 Seminar in the center of it. I wanted to honor, treasure and remember my time there.
We missed celebrating Father’s Day on the actual day because we were in Providence at the CZT30 Seminar. So we celebrated yesterday. One of the things we did was to go to the Musical Instrument Museum . It is one of our favorite places to go because you learn about geography, history, music, and art all rolled into one.
While my husband was walking around looking at the instruments, I spent a lot of time taking pictures of things that resembled tangles. I deliberately tried to find ones that were simple, although I also took lots of pictures of more complex art.
Interwoven.
Everything in their lives was interwoven. No single thing could exist without the other. Each element fed the whole.
Crazy Huggins is a wonderful example of single elements combining to make a complete design. In this version, I used a fair amount of shading to add additional dimension to each decorated section. I also used a heavier line weight around the outside to define each section and a finer width pen for the decorative elements. All of these things together create a more graphic finished tile.
Yes, another Zenbutton! Last Valentine’s day I really wanted to participate in the Valentangle challenge. I ended up admiring everyone else’s work, but didn’t get anything of my own done. So, now that I’m on a Zenbutton kick, I did the challenge from February 5th! I did use four circles rather than 3. And I went with “hearts and flowers”, in as much as Toodles looks a bit like a heart, and I used actual heart shapes on the innermost ring. I thought the spirals looked a bit like roses, specially with the addition of the tiny black triangles, which reminded me of leaves.
Jumble.
Others always wondered at how so much cargo could come out of such a tiny ship. They just didn’t understand. She’d captured so many universes in her travels. And now she could store infinite amounts in each one. All she had to do is make sure they traveled together!
It has always fascinated me how shading opens up, raises, or pushes back sections of tangles on a tile. Here, this crazy combination took on all kinds of dimension just from shading various edges. Don’t skip shading your tiles. It’s as interesting and meditative as the drawing!
Christmas market.
She loved this time of year. Even the cold weather didn’t bother her. There were so many things to choose from: exotic fabrics and trims, fancy jewelry and decorations, beautiful baskets and ceramics. Even the colorful awnings and tents brought her joy!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Bales Criss & Cross Dyon Huggins Mooka Quipple Sez Shard Striping Tidings