All wrapped around.
I love Crazy Huggins. It can go every which way or be tamed with symmetry.
Zentangle drawn on Strathmore Bristol Vellum using brown Pigma Micron pen. Coloring done with Tim Holtz Distress Inks and Polychromos colored pencils. Highlights and other markings done with various gel pens.
Tangles: Crazy Huggins
I‘ll have the cabernet.
Actually, this is more the color of Welch‘s Grape Juice! I really liked this color combination. The gray and purple played nicely with each other and allowed for a good amount of contrast.
Zentangle drawn on gray print making paper using wine and gray Copic multiliner pens. Shading done with Polychromos colored pencils.
Tangles: Crescent Moon Cubine Ixorus Knightsbridge Locar Quipple Rain Rixty Swarm Ynix
My tangle painter.
I think this tile shows a peek at my tangle brush painting designs across the tile.
Zentangle drawn on Official Zentangle tile using a black, Micron pen.
Tangles: Bamboo Cheesecloth Ennies Opus Ramy Rain Stacks Shattuck Stonework
Larimar.
Larimar is often goes by several names… the Stone of Atlantis, Stefilia‘s Stone, and Dolphin Stone. This rare, blue variety of pectolite is found only in the Dominican Republic, in the Caribbean.
The color varies from white, light-blue, green-blue all the way through deep blue, reflecting all the different colors of the ocean.
Like other blue stones, this one is associated with the throat chakra. It facilitates the healing of the mental, and emotional healing of the individual and gives peace and comfort. This healing allows the person to speek calmly and completely about serious matters.
Twisted Ropes.
This is my first attempt at trying the twisted rope techniques introduced by Eni Oken . I had a small problem with my pink pen… it started puddling and making inconsistent lines shortly after I stared. I decided to carry on with it anyway because I didn‘t want to start my tile over again. It turns out that, IMHO, the blooping pen actually added to the designs.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron and pink, Sanford Uniball pens. Shading done with graphite pencil and Polychromos colored pencil.
Inside.
It was interesting and fun to draw more Hollibaugh inside the original version. I like the way it ended up looking a bit like stained glass or wood carvings.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Hollibaugh
Echoes.
Even though they aren‘t exact, I feel like the three center elements kind of echo each other. I like the effect they created all together.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.
Tangles: Fengle Nipa Kathy‘s Dilemma Opus Scena Snail Squill Vermal
Upside down.
Originally, when I started drawing this tile, it was oriented 180 degrees from this position. As I was working on it, and rotating it around to draw various parts, I realized that I liked it better this way.
Zentangle drawn on Official Zentangle tile using a black, Micron pen.
Tangles: Bronx Cheer Cyme Emingle Inapod Isochor Keeko Sedgling Sh-Rock
Fire.
Black opals are the most valuable opals in the world. The most beautiful examples of these come from the Lightning Ridge mining area in Australia.
Opals are classified according to the pattern of the fire within the stone. This example is a cross between pinfire and palette.
While some lists show that Tourmaline or Pink Zircon is the gemstone for those who were born in October, opal is actually the traditional stone. Now days, Tourmaline is said to be an alternative. I think that came about because they come in so many different colors. I don‘t know who came up with Pink Zircon, but it was hugely popular when I was a kid as THE stone for October birthdays. Personally, I never considered it valid.
Humpf!
Ok, this is the Zentangle version of a “bad hair day”. It was fun to do because I didn‘t think about how any of it was going together. But when I was all done and looked at it at arm‘s length, I could see that it was a mish-mash of tangles that didn‘t go together all that well.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.
Sizzle.
It‘s hot here. The other day, the outside temperature on my car dashboard was 108˚. And it‘s not even summer yet! I think that‘s part of what influenced the coloring on this monotangle.
Zentangle drawn on Strathmore Bristol Vellum using Copic Multiliners and Sharpie no-bleed art pens. Coloring done with Tim Holtz Distress Inks and Polychromos colored pencils. Highlights and other markings done with various gel pens.
Tangles: Opus
Graphic.
I love this paper! Using a tan paper allows me to add both high and low lights to the various designs. In addition, this combination produces a very graphic effect.
I bought a large sheet of this paper for a few dollars and cut out my own “tiles. This makes using the paper very affordable.
Zentangle drawn on BFK Rives tan print making paper using brown, sepia and black Micron pens. Shading done with Polychromos and Crayola colored pencils.
Something fishy.
This tile didn‘t start out to be an underwater scene. I was trying to decide which tangle to put in the space where the “eye” is. In the process of rotating the tile around and thinking, I realized it looked a bit like an underwater scene and the Shattuck reminded me of scales. So I added the “eye” (which is now a tangle called Caviar!) and the Fescu to look a bit like a fin. That completed the illusion for me.
Turquoise.
If you ask Google to show you images of turquoise stones, you‘re going to see a very wide range of colors and a large range of markings. This is because these stones are found all over the world, and each location has it‘s own special characteristics.
This stone has long been used for protection against traumatic injuries. It was thought that the stone would shatter, thus warning the wearer of imminent physical danger. It was also used to decorate the bridles of horses, to protect them against broken bones from falls. Among the Native Americans of the Southwestern United States, Turquoise is believed to be a connector of Earth and Sky. It is one of the four “elemental” gemstones of the Pueblos; (the others are coral, jet and abalone shell). This is considered to be one of the Birthstones for December.
Which way?
Here, after drawing the string, I‘ve used ribbon tangles to define spaces that are filled with other tangles. For me, this is a simple way of creating a Zentangle from randomly chosen designs.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.
Tangles: Deco Border Dex Isochor Juke Meer Snail Tipple Umble Yincut
Study in Blue.
Dansk is a simple tangle, yet it can be quite effective. Here, I decided to use it as a central motif and as an edge structure.
Note: This design isn‘t completely an original idea on my part. I copied a similar design by Michele Beauchamp, which you can see Zentangle drawn on Strathmore Bristol Vellum using Zig Memory Writers. Coloring done with Tim Holtz Distress Inks and Polychromos colored pencils.
Just add fish.
This reminds me of the view into a nicely landscaped aquarium. I guess I still have OdySea on my mind!
Zentangle drawn on Strathmore Vellum Bristol using a sepia, Micron pen.
Tangles: Borbz Coral Pods Quabog Reef Roxi
Leftie-Louie.
This tile was done entirely with my non-dominant hand. That includes the shading and even the date and signature on the back. I was actually surprised at how well it turned out!
Zentangle drawn on Official Zentangle tile using a black, Micron pen.
Tangles: Crescent Moon Echoism Fescu Florz Nzeppel Pokeleaf Tipple
Orbs.
I wanted to do a Zentagle with lots of different orbs. I ended up using Keko in the background, though. I felt that any more orbs would cause everything to blend so much that the individual tangles would be lost.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.
Tangles: Apollonian Waves Inapod Keeko Kuke Marbles
Blues.
This tile was inspired by delft blue china pieces. It didn‘t actually turn out the way I hoped, but it‘s interesting in it‘s own right. It was fun experimenting with all the different shades of blue, and the Sand Swirl in the center makes a distinctive contrast with the rest.
Zentangle drawn on Strathmore Bristol Vellum using a variety of markers with blue ink. Coloring done with Tim Holtz Distress Inks and Poloychromos colored pencils.