Island vacation.
She looked down, out of the window of the raised hut to the cobblestone path and imagined the adventures that were possible here.
This Zentangle had a life of it’s own and ended up nothing like it’s original conception! Once of the tangles that came out of the jar was Tuffit. I never know what to do with it, since it kind of looks like a cross between an alien space ship and sofa pillow. I decided to just play with it, rounding out the edges and drawing it in a different order. Then something possessed me to fill in the centers with perfs. Apparently they wanted to be some kind of exotic blooms!
We looked up at the ceiling and saw the fan, its blades moving slowly across the light. Blinking, bright, dim, bright, dim, it left us hypnotized on a lazy summer afternoon.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Antidots Betweed Crescent Moon C-Wing Footlites Nzeppel Orlique Printemps Tropicana
Shield.
She hid behind the shield and allowed the expression of art to speak her truth.
I found the shield shaped string to be an interesting challenge. I tried to arrange the random tangles so that they complemented the shape, making it the focal point.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Angel Fish Beadlines Bumper Fassett Raddox Shard Squill Yincut
Still blue.
A while back I tried a blue tile, but ran into a few problems. After a few tests, I decide to give it another shot. This is more like what I wanted!
Zentangle drawn on Strathmore Vellum Bristol using a blue Micron and a Cobalt Copic Multiliner pen. Shading done with colored pencils.
Tangles: Cool 'Sista Hibred Kandy Ribnz Lobella Rain
Reticulum.
Recently, Zentangle released a Kitchen Table video that featured using Tripoli as a Reticulum (as the underlying structure) and filling each section with a fragment. I chose Fragment G13 from the Primer. I have never liked Tripoli until now! But I will not discount it in the future. This gave me a really good understanding of Reticula and Fragments.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Dance floor.
Dressed up in his tux, with and fancy bow tie, he swept her gracefully across the dance floor as if in a dream.
Zentangle drawn on Strathmore Vellum Bristol using a black Micron pen, and warm gray and gray Copic Multiliner. Shading done with graphite pencil.
Tangles: Boti Chard Echo Hurry Starmap
Garden view.
When I looked out of the window, I realized that all of the plants were bare stems and pods because of the hot days of Summer!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Huggins Sedgling Squid
Golden ropes.
“I have stretched ropes from steeple to steeple; garlands from window to window; golden chains from star to star, and I dance.”
– Arthur Rimbaud
I had this idea to do ropes with loops at the top of the tile. It‘s simple, but it turned out to be slightly more complicated than I thought it would be.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite and colored pencil.
Intensity.
This almost looks like something you might see looking in a microscope. Although this Zentangle is very simple with only two tangles, it is also very complex with all of the layering that is happening. It took a while to do, but it was a lot of fun!
I ended up breaking the rule I set for myself (white paper, black pen, graphite pencil) by adding the lighter grey Printemps in the background. I didn‘t want the Ix bars to get lost into the background, so the higher contrast was needed. The blue appearing spirals are there because I picked up the wrong pen, and drew one… then I added more to make it look like it was deliberate.
Contrasts.
This tile has a very simple string. I decided that I would use the simplest, geometric tangle in the upper left area and then mirror two of the other tangles in the lower right. I put the most complex tangle in the middle section. I really like the end result!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Ennies Finery Nekton Opus Patena
Purked up.
I had some problems with the Zentangle I posted last Friday. So, for the next week, I‘m dropping into tangling that is much more basic. I‘ll stick to white tiles, black in, and graphite pencil for the shading.
So here, Purk was one of the random tangles that came out of the jar. I decided that I woud draw two of them in the center of the tile, and then fill in the rest of the string with random tangles. This works!
Show time.
This tile was drawn from Eni Oken‘s tutorial for the Showgirl tangle. I have to confess, I had a lot of problems with this one. Showgirl isn‘t my favorite tangle to begin with, and I‘m not really happy with the way these came out. But after several false starts, I decided to persevere. I was kind of surprised that the end result is better than I thought it would be.
I heart.
The string for this tile started out as a heart. I then modified it a bit to fit in all of the random tangles for the day.
Zentangle drawn on Official Zentangle tile using a black, Micron pen.
Tangles: Afterglow Bamboo Bubbles Cadent Drupe Flux Poke-Root Quabog
Template.
If you look closely at the string I used for this tile, you‘ll see two vases. I traced around a vase-shaped template, reversing and overlapping it for the second shape.
Zentangle drawn on Official Zentangle tile using a black, Micron pen.
Tangles: Afterglow Flutter Juke Kandy Snakes Knase Knightsbridge Opus Pokeleaf Quipple Sproing Stiritup Umble
Around and around.
I ended up with a lot of tangles that were basically circular this time. But with a bit of careful placement, I think I managed to make them all play nice with each other!
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Apollonian Waves Caviar Crescent Wave Gewgle Nipa Punzel Scallops Strircles Tipple
Tangles can be used in various ways from filling a background to creating a focal point. Here, I wanted to use Onamato in a circular focal point so that it looked like a Southwestern beaded ornament. The ribbon behind it is the more “normal” way to use this tangle.
I tried to make the “beads” look like a version of turquoise with fool‘s gold inclusions and polished carnelian with a few gold beads in between.
Cream.
I like this simple Zentangle drawn on cream colored paper. However, it turned out that the pens bled a lot because of the high fiber content. So I guess I will have to keep on looking for a different brand of this color paper.
Zentangle drawn on BK Rives cream colored printmaking paper using red and black Pigma Micron pens.
Tangles: Bumpety Bump Fracas Kule Nzeppel Tipple
Leaves.
Take a close look at the string used for this Zentangle. Do you see it? I traced around a leaf template to create the basic string. The Ennies at the bottom left was added because I felt it needed something there, so it‘s in addition to the leaves.
Zentangle drawn on olive card stock using a black, Micron pen.
Tangles: Courant Crescent Moon Cubine Ennies Flux Holey Huggins Isochor Tipple
Sugilite is a rare purple cyclosilicate mineral. It was named after the Japanese petrologist, Ken-ichi Sugi, who first identified it in 1944 in Iwagi Islet, Japan. It is found primarily in Japan, Quebec, Canada and at the Wessels mine in South Africa although other deposits have been found since 1977.
It is often has inclusions of Richterite (blue) and rusty looking Bustamite. It‘s color ranges from royal purple through fuchsia. It can have some translucence.
Dingbatz.
I‘m still trying to wrap my brain around the Dingbatz-style Mookas. I decided to try making them over-sized to see if that made any difference. I kind of like the way tese wrap around to the back of the tile. But After I did them, I realized I should apply the same techniques used for twisted ropes to them. I‘ll have to give that a try here in the future!