From the Zentangle Primer: Lesson 2, page 36.
In this chapter, we are learning three new tangles: Bales, Jetties and Shattuck.
For the first tile in this chapter, there are step-by-step instructions that tell you where to put each tangle and how to draw and shade it.
I did make a few choices like drawing straight instead of curved lines for the Shattuck, and I chose to overlap my Jetties, rather than make them all touching. However, I did try to follow the shading instructions as exactly as I could.
From the Zentangle Primer: Exercise 2, page 33.
For this tile, we were told to select two tangles and to alter or combine them to create a new tanglation.
I chose to use Printemps and used it to create the strips for Hollibaugh. This ended up presenting a challenge, because it was difficult to distinguish edges where the strips crossed over each other. I ended up outlining each strip with a wider-nibbed pen to create stronger edges.
As I’m sure you’ve seen on various posts, I mostly use Strathmore Bristol Vellum as the paper for my tiles.
Note: It's important to understand that this is not thin, translucent vellum. "Bristol" is bristol board, a form of very thick paper. The word vellum, here, refers to the finish on the paper. The vellum finish has a slight tooth to it. Bristol board also comes in a smooth finish, which is very popular for illustration work. It works really well for me for both wet and dry applications. It’s perfect for Zentangles because the Pigma Micron pens draw very nicely on it without a lot of bleeding and pencil shading is smooth and velvety.
From the Zentangle Primer: Exercise 1, page 33.
For this exercise, we each had to create a Zentangle using the same tangles as the first. However, we were to shade them differently.
Amanda’s artwork is above. You can see how she shaded around the outside of the central bobble which makes it appear more like it is floating above the tile. She also altered Printemps from her original style. This version gives it a lot more drama and depth.
From the Zentangle Primer: Exercise 1, page 33.
For this exercise, we were to create another Zentangle, using the same four tangles as the first tile. However, this time, we were instructed to shade each tangle differently.
In addition to changing the shading, I also changed the style of each of the tangles. I chose to wrap Florz around a bobble and give it more of a 3D, or dimensional feel. I took a lot of creative license with Cresent Moon, adding more details and treating it more like ruffles. I normally draw Printemps fairly small, but here, I tried to make it much larger than I normally do. And for Hollibaugh, I rounded out the areas where the strips ran into the border.
Fishing.
We cast our net into the sea, searching for Ix to sell in the market. As we hauled the nets abord, we discovered a treasure trapped within. The Marasu was worth more than everything else in our nets, combined! This one, being so large, was probably worth even more than our ship! All of the fisher folk would share in this bounty when we reached the shore.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Halloween.
All the goodies were ready, filling the bowl, nestled into the spider’s web. She waited on a bench by the door with the bowl in her lap. Would they come, dressed in outlandish garb? Or would they dance in the light of the fire and simply ignore her?
This is a very simple tile, with only three tangles. But by overlapping and allowing various parts to grow outside of boundaries, the tangles take on a life of their own.
The Zentangle Primer.
Our group has changed books. We originally wanted to use the Zentangle Primer , but we had to wait because Amanda did not have a copy. So, while we were waiting for hers to arrive, we have been using the One Zentangle a Day book. Amanda received her Primer on Saturday, so we have both been reading/rereading the Primer. Today’s post is from the Primer, Lesson 1, Your First Tile.
Wrapped up.
This Zentangle is the result of two different Facebook posts.
In one group, someone asked about shading a Zentangle that was drawn in blue ink. That got me to thinking about how I would handle the situation. So, for this tile, I’ve used blue ink. For the shading I used both colored pencil and graphite. I think the combination of the two allows for more dramatic depth than using the blue pencil alone.
Day 2.
For this day, we are adding three new tangles to our repertoire: Fescu, Nekton and Knight’s Bridge. We were also instructed to practice making various strings.
For Amanda’s tile above, as you can see, her string is much more complex than on Day 1. She also used areas of repeated tangles to tie everything together.
Matthew did a wonderfully curvy string that gave him an interesting open space to fill with graceful Fescu! He decided to forgo any shading on his tile this time, because he felt it made his tile from the first day too muddy. I will be seeing him on Saturday, so I will give him a couple of shading tricks that should help him out.
Hapy Halloween.
When I was creating this tile, I wanted to have bats flying in front of the moon. There was no tangle that even remotely looked like bats at the time, so I created one. Here’s the step-out:
This was so many years ago, when I was first learning all about Zentangles. Now I know that this isn’t really a “tangle”, but I am still sharing it with you for your Halloween pleasure!
Amanda’s Day 1.
You will recall that I said yesterday I was working on a challenge with another tangler? Well, here is her tangle based on the same lesson! I love how she made the Tipple into bubbles, including a few popping at the upper and lower right!
Amanda’s son, Matthew also did the Day 1 exercise!
Matthew is a 17-year old, highschool junior. He is in his second year of art classes and is a very talented artist. I love how he shaded each section of Cresent Moon differently. It shows the versitility of this tangle!
Day 1.
This week, I’m working on a challenge with another tangler named Amanda. We both have the book, “One Zentangle a Day” by Beckah Krahula.
Today’s tangle is for Day 1, which introduces Tipple, Static and Crescent Moon. I chose to follow the standard, Zentangle method, and started with dots in the corners and then connecting them with a frame. I used a simple string and filled each section with a tangle. I repeated Tipple in a second section because my string created four sections. Then I decided which way I wanted the tile to go and added my chop in the bottom right. Finally, I did some fairly simple shading to finish the tile.
Brooch.
The brooch was hidden among all the fine fabrics in the second wagon of the caravan. They were concerned for robbers and pirates along the road to the castle. They worked to keep the Queen’s treasures safe all along the way.
I am always fascinated by the end result of using random strings and random tangles. When I start, I have no idea what the finished piece will turn out like. I think it’s one of the things that keeps each Zentangle different from the next. Each one is a transcendent adventure while also allowing for the Zen of simply drawing one line at a time.
Sail away.
I originally created this Zentangle for Columbus Day, 2010. I’m sharing it today because this past Monday was Columbus day for this year, 2017.
I love the half-compass on the right side and feel like all the other tangles tie into the theme nicely.
Zentangle drawn on an Official Zentangle tile using a black, Micron pen. Shading done with graphite pencil.
Tangles: Aah Scallops Bannah Floo Tidal
Sunrise.
She looked out the portal and realized the pink glow came from some kind of strange sun that appeared to send out some rather odd rays into the atmosphere. She would have to have the Science Officer run a complete scan to see what sorts of strange gasses were being emitted.
This tangle started out to be a Molygon “sun”. I decided I needed to add some texture to each of the shapes, but Scrolled Feather was the first one out of the Tangle Jar. I decided I liked the idea of using it to fill in around the sun, but then I still needed another “filler” tangle. Then I remembered the Baton was the Focus Tangle for a week in one of the Facebook Groups I participate in, so I used it to fill the Molygon shapes. I added the perfs just to contrasty with the other designs.
Ownership.
What we give away could be given back, or kept until we are imprisoned by it. She tossed the ties on the floor and walked away.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Aura-Leah Huggins Jonqal Lokomotive Mr.E Palrevo Papyrus
Mutant disks.
Bunzo looks like a cross between striped Frisbees and amoebas. It’s as if the plastic disks are replicating by division!
I decided to make each section a different color, according to the most prevalent color in that particular area of the tile. I was a little worried because there were so many colors, but I think, in the end, it all came together and worked out well.
This is a small, white, real pumpkin that I tangled on during October 2010.
It wasn’t easy to do because the squash was heavily coated in some kind of wax.
I used Pigma Micron pens, but they tended to stay wet a long time.
Also, the ink tended to bead up in spots so that when it dried, there were darker circles.
So, while this wasn’t a total loss, it was really frustrating to do.
Patches.
Patches of fabric. Upholstered tufting. Embroidered flowers. Jewelry and trims. All the items of her boudoir strewn about. Symbols of life.
Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen. Shading done with graphite pencil.
Tangles: Beedle Casella Coil Puf Squill Zingo