This duotangle, done on a larger, apprentice-sized tile is from the 12 Days of Zentangle, Project Pack 2. For this tile, Martha instructs us in the video to draw a larger version of Paradox, which we are using as a reticula, and then filling it with Marasu fragments.
I found this very easy and relaxing to do, and I really enjoyed adding the shading and highlights. I think I’m starting to have fun doing black tiles!
For my final Crazy Huggins sampler, I cut a large, apprentice-sized tile from a new paper I got recently. I filled the tile with Crazy Huggins shapes, then filled each element with another tangle. Somewhere along the line, the design developed a mind of its own, and decided not to be symmetrical anymore. But, honestly, I think that just made it “interesting!”
This tile took quite a while to complete. I knew it might take a bit longer, but it turned out to be a lot longer! And, when I finished filling in all the shapes, I wasn’t sure I liked it. But, in true, Zentangle fashion, I continued on and shaded the design. However, it wasn’t until I added the highlights that I decided everything was fine.
While this isn’t an exact negative of yesterday's Project Pack exercise , it’s almost there.
In this case, the tile is a standard, 3-1/2" square and the basic tangle, Huggins, isn’t the crazy version. I also changed up the highlight area in the center of each Huggins element a bit.
I’m finding that doing the black tiles is actually also improving my regular shading. Either that, or the agility of my brain is getting better at switching between the two types.
The concept for this tile is from the Zentangle Project Pack 1 series. This time we’re drawing on an Apprentice tile. Since I don’t have any, I cut an appropriately sized tile from black paper.
In this video , Molly takes us through the steps of creating a large version of Crazy Huggins and then filling each element with another tangle. The fills alternate between Crazy ‘Nzeppel and Shattuck, depending on the direction of the Huggins element.
If you saw my New Year's post , then you know that I have challenged myself to work on black tiles more frequently this year. I want to develop techniques and find the materials that work for me. For that reason, for every challenge or lesson from Eni or any other artist, I am making a black tile for the theme as well as a normal one.
To that end, this is my black tile from Eni’s Zentangle Basics lesson. for this one, instead of charcoal, I tried using a white, colored pencil to do the highlighting. I found that it would actually move and blend, somewhat, with a clean stump. I do wish it was a brighter white where it was applied the heaviest, though. I will need to keep experimenting!
The newest Art Club video from Eni Oken's Art Club is a lesson on Zentangle Basics . Almost everyone, when they take their first Zentangle lesson from a CZT, creates a basic tile, using certain tangles that illustrate what Zentangle is all about. Eni’s video is no different, (after all, she IS a Certified Zentangle Teacher!) This is the tile I created while watching the video.
I’ve been tangling now for many years. My first actual tiles are dated 2010, but I was tangling before that in my sketchbook. If you go to the Zentangle Gallery page, by clicking on the link here or at the top, right of this page, I bet you will recognize more tiles that are based on the beginner’s instructions. This is the sixth tile to be added to the collection. Can you find them all?
I thought it might be interesting to do an overlapped version of Irradial on a tan tile using brown and sepia ink.
As I did the first, brown lines, the pen was very juicy and made a large brown blog where all the lines converged. I wasn’t totally happy with it, but I decided to continue.
Then, the sepia pen was very dry, making light, almost sketchy lines and almost no blog at the convergence.
Here is Irradial done on a black tile, with a bit of fractalization. Again, I wanted to keep the string simple so that I could just enjoy drawing the tangle. I also wanted to experiment with using Copic markers to shade around each section. It didn’t quite get as dark as I wanted, so then I added black charcoal pencil around the borders and at the center line for each section.
This awesome tangle, Irradial, created by Thomas Padros is the focus tangle for this week in couple of Facebook groups! For my first attempt, I just wanted to keep it fairly simply so my string is just a bunch of triangles. I tried to vary the centers of each one somewhat by rotating the starting point, or making it closer to one edge than another.
The shading and highlighting is subtle, but it still adds a lot of dimension and shape to each section.
If you have been following this blog for a while, you’ve already seen some of Matt’s Zentangles. But I wanted to take a time out and show you another type of art that he does that is absolutely spectacular.
This is a large piece, 19"x20", done on scratch art paper. If you don’t know anything about scratch art, you can go to < Scratchboard.org and check out the tutorial there. Matthew works very quickly when doing this type of art. It is his “zen”. He did this in less than an hour.
This tile is from Project Pack 2, The Twelve Days of Zentangle. On day eleven, Rick and Maria used 3Z tiles assembled into stars! The video shows you how to make two different stars from both black and white 3Zs. I chose to make the white one this time.
This project was a lot of fun, and not all that difficult. The biggest problem I had was drawing over the gold ink with the micron pen. My pens hated it, and I had a lot of problems with it. Other than that, I liked working on the star shape, and enjoyed the process.
Testing 1-2-3.
I wanted a relatively simple project because I’m still shuffling stuff from the old studio to the new one.
I used a small, bijou cut from some black paper. Working on black is my specific project for this month. I chose Toodles because it’s a nice, graceful tangle that I like to draw. It also provided me with some larger areas to fill with color.
I wanted to experiment with colored pencils on black. In this case I chose the Faber Castell Polychromos. I used the lightest/brightest shades of green, orange and yellow. Two shades of grey were used for some of the shadowing. Over all, I think the colors are rather dull. I am going to keep looking through my stash for something that has better coverage of the black.
Setup is important.
This is my new studio set up. Yep, you’re seeing a camera in there, and photography lights. This is somewhat of a temporary set up because I’m still playing with the positioning of everything before I mount it all on an overhead bar and get that shelf off the table.
In my old studio, which I’m in the process of moving out of, the lighting was several different color temperatures, which was driving me crazy. You can see it very clearly in this picture.
This is my first, official, 3Z (triangular shaped) Zentangle. These tiles are 3-1/2 inches on a side. That makes the overall drawing area smaller than a standard tile.
I did this following the video here , for Project Pack 1. I’m beginning to warm up to these black tiles. I found doing this one fun! Part of it is the design. It was easy, calming, and I really love the results! I also like the way the white charcoal is used here, and it wasn’t hard to do. Over all, I’m happy with this one.
When you are learning to tangle, Crescent Moon is one of the first that you learn. It teaches the concept of creating an “aura” near something that has already been drawn. Auras are frequently used to build repeating designs or to add emphasis or separation.
This Zentangle is from Project Pack 1.
Zentangle drawn on a black, Official Zentangle tile using three different sizes of white, Sakura gel pens. Highlighting done with white charcoal pencil.
Happy New Year!
This Zentangle was created while going through all of my metallic and glitter gel pens. While they generally all have a reasonable shelf life, I have some that are more than 10 years old. They don’t work, the ink has separated, and some have even leaked. It was time to start fresh in the new year. So I used the tangles Aah and Pepper to create fireworks in the sky, representing the New Year’s celebrations as I tested the various pens. Unfortunately, they don’t all show up well when scanned, but you get the idea!
Recently, Eni posted a video showing her art year in review on Facebook. She told the members of Art Club that she would like to see their year in review also. I took this as a challenge, and mine is below.
This wasn’t particularly easy to do. I haven’t made a video in over 10 years. All of the technology has changed since then. However, despite the huge learning curve, I managed to produce something that isn’t totally awful, LOL!
This is the fourth exercise from Project Pack 1. It is a second version of Bales. This tile is very, very simple. It’s all about the added lines transforming the regular seed shape found in the tangle into something beyond itself by repeating the strokes to fill in the centers.
It was fun and very calming to draw this Zentangle. But I feel it is just so plain, compared to what I normally draw!
This tile is from Project Pack 2, The Twelve Days of Zentangle. On day four we are doing a twist on Diva Dance. Here, you see it drawn both as a ribbon and as a spirals (Diva Dance rock-n-roll.) However, a new technique has been added. It looks as if the tangle has developed arms. Rick refers to these as “sproings!” You can learn all about them by watching the video, here .
This is another exercise from Project Pack 1. This time, we’re drawing a variation of Bales on a black tile. You can watch Martha create this version here .
The differences between mine and the video are that I used the narrowest Gelly Roll to draw the grid lines, and then the 08 to draw the diamonds. I also chose to use the white pastel a bit differently. I drew small lines radiating between the lines at the intersections. Then I use my tortillon to lightly draw across the lines. This gave more of a “starlight” or “twinkling” effect which I liked much better.