Making brown pop. I‘ve tried tangling on various colored papers over the years, and sometimes it works, and sometimes it doesn‘t. I cut a bunch of tiles from a pad of Saint-Armand Canal paper. They are various earthy, neutral colors. But the problem with the paper is that it is both very rough and very absorbant, so it‘s difficult to work with for Zentangles. But, every so often, I get brave and try it again.

Canal paper I have a pad of this paper that I purchased while visiting Santa Fe a couple of years ago. I liked the neutral tones and thought it would be fun to draw on. It turns out that the texture is a bit rough for tangling, although I made it work. I‘m not sure I like it for shading, or pencil drawing, though. I had a lot of trouble with that part.

Plenty. That‘s how many tangles there are in this image. First of all, there‘s my favorite Inapod. I just love this tangle because it‘s easy to draw, kinda funky, and looks dramatic. Then all the rest of the tangles really shouldn‘t work together here, but they kind of do, and the shading lifts and individualizes each section. Zentangle drawn on Strathmore Vellum Bristol using a black, Micron pen.